follow me on Twitter
  • I read a lot, and I have a lot of opinions, so I can't believe I haven't made a list like this before. If you are even a little bit like me or you want to get a peek into my psyche (you probs don't), these are the books to read.
on Amazon.com
 
 
 

Posts Tagged ‘feminism’

Is Bella Swan anti-feminist?*

Posted on August 11th, 2008 by Anna Jarzab

I was waiting for this: a Jezebel post on Breaking Dawn. I’m a little bit surprised that the Jezebelles were so unkind to the book, considering that resident Jezebel YA expert Lizzie Skurnick is a fan, but in retrospect I should’ve known this was coming. I mean, Stephenie Meyer has been getting slammed for being anti-feminist from the very beginning of Twilight, so much so that she’s actually responded to these accusations on her website:

I am all about girl power—look at Alice and Jane if you doubt that. I am not anti-female, I am anti-human [Ed: bolding Meyer’s]. I wrote this story from the perspective of a female human because that came most naturally, as you might imagine. But if the narrator had been a male human, it would not have changed the events. When a human being is totally surrounded by creatures with supernatural strength, speed, senses, and various other uncanny powers, he or she is not going to be able to hold his or her own. Sorry. That’s just the way it is. We can’t all be slayers. Bella does pretty well I think, all things considered. She saves Edward, after all.

Okay, so there’s that. And Meyer does have a point–I mean, all of the female vampires are very powerful, with Alice, the smallest and easiest to underestimate, probably being the most powerful of the Cullen coven. In New Moon and Eclipse, the greatest threat to Bella’s safety is from a female vampire–Victoria. Even some of Meyer’s Twilight mythology reflects the way the world is changing for women–while werewolf packs were traditionally all-male, in Eclipse we get the transformation of Leah, a female Quileute, into a werewolf. Even magic is conforming to a new societal ideology. So there’s no lack of powerful, kick-ass females in this series–Bella, the heroine, just happens not to be one, and that’s because she’s at a vast disadvantage by virtue of being so normal and human. There’s nothing strictly anti-feminist about that; in fact, it makes the whole series more relatable.

Also, Bella holds her own. She’s not a quivering coward of a girl–she’s steadfast, loyal, shrewd, discerning, and a master at overcoming fear in pursuit of that which she wants most. The moment we meet Bella, we learn that she’s done a very brave thing: she has agreed to go live with her father, Charlie, in Forks, a man she barely knows in a dark, rainy place she, a desert girl raised, couldn’t possibly feel comfortable in, because she wants her mother, who has recently married a professional baseball player who travels a lot, to be free and happy in her marriage. Maybe that’s grotesquely self-sacrificing, but it’s also incredibly sweet, and it soon becomes clear that Bella is a girl older than her age who has spent her entire adolescence taking care of her flighty mother. When Bella, despite her relative normalcy, starts getting a lot of attention from the boys at her new school, she is made uncomfortable by it because she understands how patently superficial it all is. She would rather just have some good, trustworthy friends who can make her stay in Forks bearable, but instead she gets a bunch of dopey, slavering aspiring boyfriends and a grip of backstabbing mean girls who only deign to hang out with her because the boys like her. Bella is diplomatic but acutely aware of the social pitfalls of this situation and does her best to avoid them.

As someone who feels like an outsider, it makes sense that she would be drawn towards another outsider, the shadowy, mysterious Edward Cullen (yes, he is beautiful, but Bella, after he treats her in an infamously and inexplicably rude manner, while puzzled, is fine with being disliked by him; she just wishes he’d stop glaring at her and then saving her ass all the time, because consistency is all the girl’s looking for in this brand new strange world). Edward is weird, duh, because he’s a vampire, and so he does act like a creepy stalker at first, but this is where the premise is really important–he is just as surprised by his behavior as she is, that he is both drawn to her and repulsed by her, and the fact that his mind-reading power doesn’t work on her puts them on equal footing because he has no intellectual advantage over her. Also, he recognizes right quick another thing that’s special about Bella–she attracts trouble. This is not because she is a ditz who blithely walks into potentially dangerous scenarios, although she is startling cavalier with her own safety, it just never occurs to her that anyone would want to hurt her. She thinks of herself as scenery in a world full of actors, not because she’s a mopey self-hater but just because that’s how she sees herself. Edward, because he has the ability to, tends to intervene in these situations–he stops a car from running her over, he rescues her from a pack of guys that are trying to assault her, etc. Yes, he is overprotective, but that’s because, especially as time goes on, he sees that he is making her world less and less safe simply by being in it.

Edward is not possessive. Actually, it’s the opposite–he knows that he’s bringing danger into her life and struggles daily between sticking around to prevent it from hurting her or leaving her to prevent it from coming at all, but she clings to him, willing to brave the risks and the fear in order to love him. That’s either incredibly romantic or incredibly stupid, probs both, but either way it’s Edward who tries to push her away in New Moon. To Bella’s credit, she does not rend her clothes and gnash her teeth and sob her guts out when he tells her that he’s leaving–she just accepts it, and then the lights go out for three months while she grieves and adjusts. Please don’t anybody ever tell me that when they were broken up with by someone they really loved the same thing did not happen because I will not believe you. And then Bella tries to move on with her life, albeit painfully and slowly. THIS IS NOT ANTI-FEMINIST. Bella alternately puts herself back together and falls apart because she’s a young girl with a sense of commitment and love more mature than her years and experience. This may not appeal to some people’s particularly sensibilities, but it’s not hatefully misogynistic.

Even when Edward comes back, he keeps encouraging her to consider her options–human (or half-human, anyway) Jacob who she can grow old with and have babies with, or eternal, potentially soulless death with a vampire who cannot give her children (WE THINK SPOILER!!1!). Or, you know, neither, although once Jacob comes on the scene full-force that doesn’t seem to be considered, which IS potentially anti-feminist, I’ll give you that. If Natalie Babbitt was writing this book, we know what the answer would be (hint: immortality is not a good idea and while cool for a couple of decades gets old, FAST, with or without a soul mate). Bella makes her own choice, and I know there are angry fans out there who think that Jacob’s imprinting on Renesmee in Breaking Dawn invalidates Bella’s choosing Edward in Eclipse, that’s silly, it just doesn’t. It was hard, she really considered what it would do to the three of them, she made her choice, she gets points for that. If Jacob had just fell in love with, like, Leah or something, would that invalidate Bella’s choice, too? Of course not. Was Stephenie Meyer supposed to make Jacob miserable and spurned in love forever for Bella’s choice to have power? No! And Edward is still trying to get Bella to change her mind about him and choose to remain mortal while she is pregnant in the hopes that she’ll save her own life, despite how much it would hurt to lose her. That’s not possessive, that’s passionate. That’s love. Idealized love, perhaps, but love all the same.

I guess what this comes down to is that I don’t think a woman is anti-feminist just because she knows what she wants and what she wants happens to be a life with a man she loves. On a related note, her decision to keep Renesmee (or, whatever, the baby who ends up being Renesmee) is just that: HER CHOICE. HERS. Bella says she never even thought about being a mother, but the truth is that she’s been mothering her own mother for as long as she can remember, and when she moves in with her father she mothers him; nurturing comes naturally to her, and it makes sense that those instincts would kick in once she was carrying a baby of her own. And Bella’s choice to become a vampire is not something she does on the fly–she considers it, decides to do it, and then waits three books to really sort it out in her mind before she commits to it, in the face of monumental opposition from the one person who would benefit from her becoming a vampire the most–Edward.

*I swear to God, at some point I will stop talking about Twilight and start talking about my own books again. But that can be summed up in one run-on non-sentence: revisions revisions revisions revisions wrote a single sentence in MB this weekend revisions revisions look I’m halfway done!